Looking for medina, metius, media, medic?

Relief print probably from a metal plate; Mounted in two-opening mat with p. 132 of Century Magazine — President Lincoln, General Grant, and Tad Lincoln at a Railway Station (Sketched from life by Winslow Homer), 1887
Winslow Homer

Not on View

black and white with line of silver at top; abstract image with linear motifs with various thicknesses of lines--long thin lines and short fatter lines — Some Weeds, 1960
Kendall Shaw

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Japanese characters in vertical format, printed with black ink — Haiku #81, 2010
Scott Helmes

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An edition of nine black-and-white relief prints plus proofs printed from a plywood block carved by the artist with a router. — Sole Sisters, 2013 (published 2018)
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Relief print probably from a metal plate; — The Baggage Guard, 1888
Winslow Homer

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stamped design in black on white of various letters appearing to blur together: M, O, E, V, T; several areas of thick, shiny pigment, especially at left — Movement, 2009
Scott Helmes

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small area of crisp black shapes reminiscent of part of typeface text or negative space between letters — Haiku #49, 2009
Scott Helmes

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Relief print probably from a metal plate; Mounted in two-opening mat with p. 133-134 of Century Magazine — Two of Sheridan's Scouts (Sketched from life by Winslow Homer), 1887
Winslow Homer

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Orange border at R; two figures center and intertwining limbs between them; face ULQ; increasing detail towards borders — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Orange border at R; bearded man with raised arms and out of proportion breasts at center; another bearded man is kneeling and facing towards standing man; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Large torso of man in jacket at L and woman wearing sleeveless top at R; smaller figures in background; black rubs throughout on orange background; orange border at R — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Orange border at R; large female nude at L; small bearded man's head at URQ; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Orange border at R; a girl with arms outstretched facing two other children; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Female nude figure seated and with legs wide open and arms folded back; nude has a skull head; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Orange border at R; headless torso at URQ; male figure and woman's head at ULQ; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Orange border at R; man and woman facing each other at UL quadrant; another man and woman at center and LR quadrant gazing at standing figures; orange and black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Bertha Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Bessie, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Calpurnia, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Carolina, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Clara Esther, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Emma, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Eva Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Ida Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jane, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jesse Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jonny Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lilly, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lucy, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lula Bell, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Mammy, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Matti Lee, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Pearl, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Rose, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Ruth, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Saphire, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Sarah, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Willy Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Zeddie, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Anna Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Dot, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Fannie Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Queen, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Savannah, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Sappho, Maurice Dumont — Sappho, 19th century
Maurice Dumont

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Orange border at R; woman in short skirt at easel drawing a male nude figure who is posing in a handstand; large head at far R; black rubs throughout on orange background — Untitled from "The Sex Prayers", 1985
Joseph Nechvatal

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Phil / Rubber Stamp, Chuck Close; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York — Phil / Rubber Stamp, 1976
Chuck Close; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York

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Saddle stitched binding, collage of text and designs on pink wove cover; 40 pp. — Charged Hair & Distorted Riffs... Bullet Belts & Circle Pits, no. 2.5: Punk Flyers, December 2004
Jeff AKA The Foat; Author: Jeff AKA The Foat; Publisher: Jeff AKA The Foat , Vancouver

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image made of small black dots--most dots of the same size; dots arranged into circular and small starburst patterns — Untitled, 2010
Tara Donovan

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One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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10 Loops Slit, Mel Kendrick — 10 Loops Slit, 1993
Mel Kendrick

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Vitrioleuse (The Acid Thrower), Eugène Samuel Grasset — Vitrioleuse (The Acid Thrower), 1894
Eugène Samuel Grasset

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A Charcoal Sketch, Winslow Homer — A Charcoal Sketch, 1883
Winslow Homer

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Thread bound volume, image printed in relief with red ink, title printed with black spraypaint stencil, and photocopied leaves; 40 pp. — Anna's Story, 2004
Nathan Garfat; Artist: Christine Murphy; Publisher: The Purple Thistle Center, Vancouver

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Saddle sewn binding with blue thread, a serpentine pattern printed in color offset lithgraphy, with designs, text, and an image of a see-saw relief printed onto wove paper covers; 40 pp. — The Twin Survey, 2007
Amber Gayle; Publisher: Evil Twin Publications, New York

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close-up view of brightly-colored bird (red, blues, yellow, white, with a black neck) flying in URQ, with birch trees at left and grey water in background; thin tree branches in LLQ — Haunt of the Jay, c. 1930-1932
William Giles

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Prospectus for "La Prose du Transsibérien et de la petite Jehanne de France", Sonia Delaunay-Terk — Prospectus for "La Prose du Transsibérien et de la petite Jehanne de France", 1913
Sonia Delaunay-Terk

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Saddle stitched binding, image and title printed in green and black relief on beige paper cover; 28 pp. — The Archer, 2008
Nate Doyle; Publisher: Nate Doyle , New York

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From a suite of five prints. — Buoy Landscape II, 1982
Sam Gilliam

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From a suite of five prints. — Buoy Landscape III, 1982
Sam Gilliam

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From a suite of five prints. — Buoy Landscape IV, 1982
Sam Gilliam

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From a suite of five prints. — Buoy Landscape V, 1982
Sam Gilliam

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From a suite of five prints. — Buoy Landscape I, 1982
Sam Gilliam

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Samson Fighting with the Lion, Albrecht Dürer — Samson Fighting with the Lion, designed c. 1497-1498, printed early 20th century
Albrecht Dürer

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Untitled (Spotlights) A: Lithograph and screenprint in five colors: sage green printed texture of oriented strand board (OSB) plywood on a light creamy yellow background with five solid flat shapes in black, teal blue, and red. (The artist intended the OSB plywood texture to be relief printed directly from the plywood, but it was transferred to a lithographic plate when it was determined the OSB plywood matrix was too unstable to edition.) Untitled (Spotlights) B: Relief and screenprint in four colors: indigo blue printed texture of Luan mahogany plywood with four solid flat shapes in lemon yellow, lime green, and red. — Untitled (Spotlights), 2013
Sarah Crowner; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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male peacock with tailfeathers outstretched standing behind female peacock in LLQ, with head down; green ground; blue at top; oranges and blues through male peacock's feathers — Sic Transit Gloria Mundi (Thus Passes the Glory of the World), c. 1924
William Giles

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geometric design; a variety of triangles in red, blue, yellow; large grey rectangle with one corner missing in center background; blue square center left — Buoy Landscape II, 1982
Sam Gilliam; Printer: Vermillion Editions Limited, Minneapolis

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Abstract design with white organic form at center and top; three dark purple and one pink leaf-like motifs at right; turquoise form in velvet at LLQ and bottom center; yellow silk ground — Untitled IPCNY, 2001
Jessica Stockholder; Publisher: Two Palms Press, New York

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A Perilous Leap, Winslow Homer — A Perilous Leap, 1890
Winslow Homer

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Zog Variation I, 1977

Jane Starosciak

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Waves, 1977

Dorothy Odland

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Sea State One, 2001

Matthew Ritchie; Publisher: Two Palms Press, New York

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Plate from L'Albero Poeta, 1966

Giò Pomodoro; Author: Guido Ballo; Publisher: Galleria Schwarz, Milan; Printer: Giorgio Upiglio , MIlan

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A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text printed in ochre lithographic ink. — Natty dress until the end, 2008
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text printed in turquoise blue lithographic ink. — Archive Brasil 1551 & ashes of F.L.W. house, 2008
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text carved from wood and printed in green lithographic ink. — A carved breakfast nook in the Style of 1950s American baroque, 2008
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Untitled, from 8 essais d'artiste, 1965

J.C.J. Vanderheyden

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Untitled, from 8 essais d'artiste, 1965

J.C.J. Vanderheyden

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Personaggio, 1965 (published 1966)

Enrico Baj; Author: Guido Ballo; Publisher: Galleria Schwarz, Milan; Printer: Giorgio Upiglio , Milan

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Trees, 1988

Glen E. Alps

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Prospectus for "L'Estampe originale", 1894

André Marty

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Negation, 1994

Inge Bruggeman; Author: Hank Lazar; Publisher: Ink-A! Press, Tuscaloosa, Alabama

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Installation Floor Plan for Any Space Surrounded by Four Walls, 1976 (published 1977)

Barry Le Va; Printer: Aaron Arnow; Maker: Rubber stamp produced by Unity Engraving Company, Inc., Englewood, New Jersey; Publisher: Parasol Press Ltd., New York; Distributor: Museum of Modern Art, New York

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Untitled (Flug), 2002

Gerhard Multerer

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